HD Video Camera and Digital Cinema Equipment Rental. Dog lovers also welcome.

Sony PXW-FS7

Sony PXW-FS5
  • FS52

R3 200

Our kit includes:

FS5

Metabones adaptor or 18-200mm f/3.5-6.3 Sony lens

Sony ECM-1 Microphone XM1

2x 128GB 150mb/s SD cards

USB 3 Card reader

2 x Batteries

Battery charger

Sensor – Super 35mm Single-Chip 11.6MP Exmor Cmos

Effective Picture Size – 3840 x 2160

LCD Monitor – 3.5″ approx 1.56M dots

Viewfinder – 0.39″ OLED

ND Filter – Variable: 1/4 to 1/128 AND presets: Clear, 1/4, 1/26, 1/64

Sensitivity – ISO Rating 3200 (S-log3 Gamma)

LUX – 2000lx, 89.9% reflectance

S/N Ratio 57db (y) (typical)

 

Recording Formats:

XAVC Long

(4K at 8-bit whilst HD at 10bit)
100Mb/s: 3840 x 2160p 29.97 / 25 / 23.98
60Mb/s: 3840 x 2160p 29.97 / 25 / 23.98
50Mb/s: 1920 x 1080p 59.94 / 50 / 29.97 / 25 / 23.98
50Mb/s: 1920 x 1080i 59.94 / 50
50Mb/s: 1280 x 720p 59.94 / 50
35Mb/s: 1920 x 1280p 59.94 / 50 / 29.97 / 25 / 23.98
25Mb/s: 1920 x 1080i 59.94 / 50

XAVC Proxy
H.264 / AVC
4:2:0 8-bit
MP4 wrapper
1280 x 720: 3 to 6Mb/s
640 x 360: 1 to 3Mb/s

AVCHD
28Mb/s (PS): 1920 x 1080p 59.94 / 50
24Mb/s (FX): 1920 x 1080p 29.97 / 25 / 23.98
24Mb/s (FX): 1920 x 1080i 59.94 / 50
24Mb/s (FX): 1280 x 720p: 59.94 / 50
17Mb/s (FH): 1920 x 1080p 29.97 / 25 / 23.98
17Mb/s (FH): 1920 x 1080i 59.94 / 50
17Mb/s (FH): 1280 x 720p: 59.94 / 50
9Mb/s (HQ): 1280 x 720p: 59.94 / 50

 

Slow & Quick Motion Function

3840 x 2160 30p: Frame rate selectable 1, 2, 4, 8, 15, 30
3840 x 2160 25p: Frame rate selectable 1, 2, 3, 6, 12, 25
1920 x 1080 60i: Frame rate selectable 1, 2, 4, 8, 15, 30, 60
1920 x 1080 50i: Frame rate selectable 1, 2, 3, 6, 12, 25, 50

 

Super Slow Motion

60i: Frame rate selectable ( 120, 240, 480, 960)
50i: Frame rate selectable ( 100, 240, 400, 800)

Same memory cache buffering system as the FS700

*Up to 240fps in FullHD @24p = 8 second buffer

*Up to 120fps in FullHD @24p = 6 second buffer

Input and Output Connectors

Audio Input
2 x 3-pin XLR
Line/mic/mic +48
SDI Output
1 x BNC HD/3G-SDI
SMTPE292M/424M/425M

HDMI 2.0
1 x Type A

USB
1 x Multi/Micro (composite video integrated into Multi/Micro USB jack)

Headphone
1 x Stereo mini jack

Remote
Stereo mini jack (Φ2.5 mm)

Wired LAN
1 x RJ-45 (100Base-TX/10Base-T)

Dimensions

Body Only: 4.50 x 5.13 x 6.88″ / 11.43 x 13.02 x 17.46 cm (approx)
Body, Lens & Accessories: 7.38 x 8.63 x 6.88″ / 18.73 x 21.91 x 17.46 cm (with 18 to 105mm lens, lens hood, large eyecup, LCD viewfinder, top handle, grip)

- please note our kit comes with a different lens.

Weight

Body Only: 29.2 oz / 827.8 g
Body, Lens & Accessories: 4.9 lb / 2.23 kg (with 18 to 105mm lens, lens hood, large eyecup, LCD viewfinder, top handle, grip)

Audio Recording Format

XAVC Long

Linear PCM 2 ch, 24-bit, 48kHz

AVCHD
Linear PCM 2 ch, 16-bit, 48kHz
Dolby digital 2ch, 16-bit, 48kH

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Let’s just begin with what you want to know coz reading died with MTV – Yes, it flies on a Ronin-M purrfectly! Whilst it weighs in at around 2,23kgs with its top and side handles, LCD, big battery etc; stripped down to it’s bare minimum – it weighs 830grams! *I have already used up my exclamation mark quota in this paragraph so I’ll hold myself back from now…* But more than just being light, coz the a7R II is already light, the camera is actually balanced with a battery and a lens, thus making it a breeze to balance on gimbals and operate handheld all day.

There are 2 more perks worth highlighting about this camera and gimbal use. The first being that the LCD has a decent length cable and a 1/4″ mounting point so that you can mount it on top of your gimbal bars (saving you money on renting a smallHD monitor) and the second is that the handle is equally as versatile in terms of mounting. Why does this interest you? Because you can pull focus manually with the joystick on the handle! *new paragraph, new quota*. However, if you are more like myself and have realised that autofocus has become less of a swear word – then this camera offers face detection tracking (the FS7 doesn’t so it gives you an indication of which markets Sony wants to hit with each camera respectively). Basically these things operate themselves nowadays and all you need to do is frame up and remember to hit roll. Oh wait, you don’t even need to remember that because it has pre-roll. Don’t worry, we wont tell your producers.

 

Works Well With: